Before his audition for “The Ally,” a new play by Itamar Moses, the actor Michael Khalid Karadsheh printed out the monologue that his character, Farid, a Palestinian student at an American university, would give in the second act.
The speech cites both the Mideast conflict’s specific history and Farid’s personal testimony of, he says, “the experience of moving through the world as the threat of violence incarnate.” Karadsheh — who booked the part — was bowled over.
“I don’t think anyone has said these words about Palestine on a stage in New York in such a clear, concise, beautiful, poetic way,” said Karadsheh, whose parents are from Jordan and who has ancestors who were from Birzeit in the West Bank.
Farid’s speech sits alongside others, though, in Moses’s play: one delivered by an observant Jew branding much criticism of Israel as antisemitic; another by a Black lawyer connecting Israel’s policies toward Palestinians to police brutality in the United States; another by a Korean American bemoaning the mainstream’s overlooking of East Asians. These speeches are invariably answered by rebuttals, which are answered by their own counter-rebuttals, all by characters who feel they have skin in the game.
In other words, “The Ally,” which opens Tuesday at the Public Theater in a production directed by Lila Neugebauer and starring Josh Radnor (“How I Met Your Mother”), is a not abstract and none too brief chronicle of our times, a minestrone of hot-button issues: Israelis and Palestinians, racism and antisemitism, free speech and campus politics, housing and gentrification, the excesses of progressivism — even the tenuous employment of adjunct professors.
